186 bars of 4/4 at 120 BPM, about 6:16 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 13-28 and 71-86 -- 18.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
4 fills to learn, played 19 times: bars 2, 3, 4, 5, 6, 7 and 13 more.
1 more fill is written out on the fills page.
195 bars across 19 sections: 80 keep time, 19 are fills, 60 are stops and 25 are silent. The longest unbroken stretch of time is bars 14-28.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
41 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 44 out of 100; the rest of the number is everything around it.
186 bars, about 6:16 at the written tempo. The course breaks it into 36 exercises over 9 sittings, about 27 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 19 times: bars 2, 3, 4, 5, 6, 7 and 13 more.