The beat the song is built on is a 2-bar phrase, played through bars 34-35, 39-40 and 44, and 8 more places -- 21.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
It is played on hi-hat and snare, counted in sixteenth notes. On its own it scores 17 out of 100 -- straightforward -- and the thing that decides that is the speed of the hand keeping time.
The whole song is 32 out of 100, so the beat is not the hard part: what costs you is everything around it, the joins and the fills.
The room opens this beat on its simplest reduction, at 132 BPM, and adds the notes back a rung at a time -- 3 of them. Nothing is a matter of opinion: each rung has a tempo to reach and a gate to pass before the next one.
Tempo goes 132, 154 and 176 BPM, and the gate at each one is 8 loops in a row with no wrong note and no wobble in the time.
PRACTISE THIS BEAT →A 2-bar phrase on hi-hat and snare, in 4/4 at 176 BPM, counted in sixteenth notes. It is written out above, and it covers 21.1% of the bars the kit plays.
Bars 34-35, 39-40, 44 and 48-49, and 7 more places. The time is kept on the silence to start with, and it changes 10 times over the song.
17 out of 100 on its own -- straightforward. The song as a whole is 32 out of 100 -- a fair first song -- with how often it moves around the kit the part that decides it.