104 bars of 8/4 -- not four -- at 110 BPM, 7:28 of playing on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 23-26, 29 and 31-36 -- 21.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
3 fills to learn, played 4 times: bars 14, 27, 28 and 30.
104 bars across 7 sections: 40 keep time, 4 are fills and 52 are silent. The longest unbroken stretch of time is bars 40-53.
110 BPM, in 8/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
36 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 40 out of 100; the rest of the number is everything around it.
104 bars, about 7:28 at the written tempo. The course breaks it into 25 exercises over 7 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 4 times: bars 14, 27, 28 and 30.