48 bars of 3/4 -- not four -- at 140 BPM, 1:01 of playing on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 2, 4 and 8, and 3 more places -- 12.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
48 bars across 5 sections: 40 keep time. The longest unbroken stretch of time is bars 28-41.
140 BPM, in 3/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
66 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 44 out of 100; the rest of the number is everything around it.
48 bars, about 1:01 at the written tempo. The course breaks it into 18 exercises over 7 sittings, about 25 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.