111 bars of 4/4 at 138 BPM, about 3:13 of playing, on crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 12-18 and 20-33 -- 21.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9 fills to learn, played 15 times: bars 19, 42, 50, 54, 58, 66 and 9 more.
5 more fills are written out on the fills page.
111 bars across 13 sections: 75 keep time, 15 are fills, 2 are stops and 13 are silent. The longest unbroken stretch of time is bars 20-33.
138 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
63 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 32 out of 100; the rest of the number is everything around it.
111 bars, about 3:13 at the written tempo. The course breaks it into 34 exercises over 11 sittings, about 24 minutes each.
crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 15 times: bars 19, 42, 50, 54, 58, 66 and 9 more.