The beat the song is built on is one bar, played through bars 6-8, 10-12 and 22-24, and 11 more places -- 18% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
It is played on crash, hi-hat, snare and kick, counted in sixteenth notes. On its own it scores 77 out of 100 -- demanding -- and the thing that decides that is how many notes a second it asks for.
The whole song is 72 out of 100, so the beat is most of what the song asks for. Get it clean and the rest follows.
A part this hard is not learned by playing it slowly and hoping. The room opens it on its simplest reduction -- the timekeeper alone, at 131 BPM -- and adds the notes back over 5 rungs, each with a tempo to reach and a gate to pass before the next.
Tempo goes 131, 158, 184, 211 and 238 BPM, and the gate at each one is 8 loops in a row with no wrong note and no wobble in the time.
PRACTISE THIS BEAT →A one-bar groove on crash, hi-hat, snare and kick, in 4/4 at 238 BPM, counted in sixteenth notes. It is written out above, and it covers 18% of the bars the kit plays.
Bars 6-8, 10-12, 22-24 and 26-28, and 10 more places. The time is kept on the snare to start with, and it changes 17 times over the song.
77 out of 100 on its own -- demanding. The song as a whole is 72 out of 100: demanding, mostly on how many notes a second it asks for.