110 bars of 4/4 at 135 BPM, about 3:16 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 15-21, 45 and 47, and 5 more places -- 13% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
4 fills to learn, played 10 times: bars 37, 38, 39, 40, 60, 68 and 4 more.
110 bars across 12 sections: 77 keep time, 11 are fills, 8 are stops and 2 are silent. The longest unbroken stretch of time is bars 42-51.
135 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
49 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 40 out of 100; the rest of the number is everything around it.
110 bars, about 3:16 at the written tempo. The course breaks it into 45 exercises over 12 sittings, about 28 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 10 times: bars 37, 38, 39, 40, 60, 68 and 4 more.