110 bars of 4/4 at 128 BPM, about 3:26 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 1-3, 5-9 and 12-14, and 8 more places -- 22.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 20 times: bars 10, 19, 20, 39, 40, 52 and 14 more.
3 more fills are written out on the fills page.
110 bars across 14 sections: 68 keep time, 20 are fills, 1 is a stop and 1 is silent. The longest unbroken stretch of time is bars 23-33.
128 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 39 out of 100; the rest of the number is everything around it.
110 bars, about 3:26 at the written tempo. The course breaks it into 40 exercises over 11 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 20 times: bars 10, 19, 20, 39, 40, 52 and 14 more.