The beat the song is built on is a 2-bar phrase, played through bars 8-10, 12-14 and 33, and 2 more places -- 17.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
It is played on ride, snare, high tom, mid tom, floor tom and kick, counted in thirty-second notes. On its own it scores 100 out of 100 -- hard -- and the thing that decides that is how many notes a second it asks for.
The whole song is 99 out of 100, so the beat is most of what the song asks for. Get it clean and the rest follows.
A part this hard is not learned by playing it slowly and hoping. The room opens it on its simplest reduction -- the timekeeper alone, at 80 BPM -- and adds the notes back over 5 rungs, each with a tempo to reach and a gate to pass before the next.
Tempo goes 80, 97, 113, 130 and 146 BPM, and the gate at each one is 8 loops in a row with no wrong note and no wobble in the time.
PRACTISE THIS BEAT →A 2-bar phrase on ride, snare, high tom, mid tom, floor tom and kick, in 4/4 at 146 BPM, counted in thirty-second notes. It is written out above, and it covers 17.4% of the bars the kit plays.
Bars 8-10, 12-14, 33 and 35-37, and 1 more place. The time is kept on the toms to start with, and it changes 11 times over the song.
100 out of 100 on its own -- hard. The song as a whole is 99 out of 100. Hard, and what makes it hard is how many notes a second it asks for.