135 bars of 4/4 at 142 BPM, about 3:48 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 10, 12 and 14, and 21 more places -- 18.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
11 fills to learn, played 21 times: bars 8, 16, 24, 32, 40, 44 and 15 more.
7 more fills are written out on the fills page.
135 bars across 14 sections: 95 keep time, 21 are fills and 1 is a stop. The longest unbroken stretch of time is bars 49-56.
142 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 40 out of 100; the rest of the number is everything around it.
135 bars, about 3:48 at the written tempo. The course breaks it into 57 exercises over 14 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 21 times: bars 8, 16, 24, 32, 40, 44 and 15 more.