159 bars of 4/4 at 146 BPM, about 4:21 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 13-15, 17-18 and 25-31, and 11 more places -- 24.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
17 fills to learn, played 35 times: bars 8, 16, 32, 36, 39, 42 and 29 more.
13 more fills are written out on the fills page.
159 bars across 17 sections: 94 keep time, 37 are fills, 9 are stops and 4 are silent. The longest unbroken stretch of time is bars 17-31.
146 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
51 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 41 out of 100; the rest of the number is everything around it.
159 bars, about 4:21 at the written tempo. The course breaks it into 54 exercises over 15 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
17 fills to learn, played 35 times: bars 8, 16, 32, 36, 39, 42 and 29 more.