119 bars of 4/4 at 120 BPM, about 3:57 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 10-32, 42-44 and 46-48, and 2 more places -- 31.3% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
9 fills to learn, played 13 times: bars 8, 9, 41, 53, 61, 69 and 7 more.
5 more fills are written out on the fills page.
119 bars across 18 sections: 66 keep time, 13 are fills, 14 are stops and 7 are silent. The longest unbroken stretch of time is bars 11-32.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
47 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 35 out of 100; the rest of the number is everything around it.
119 bars, about 3:57 at the written tempo. The course breaks it into 35 exercises over 9 sittings, about 27 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 13 times: bars 8, 9, 41, 53, 61, 69 and 7 more.