80 bars of 6/4 -- not four -- at 125 BPM, 3:46 of playing on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 44-46, 48-49 and 52 -- 12% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
11 fills to learn, played 31 times: bars 7, 8, 9, 11, 12, 13 and 25 more.
7 more fills are written out on the fills page.
80 bars across 6 sections: 14 keep time, 31 are fills, 1 is a stop and 30 are silent.
125 BPM, in 6/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
63 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 65 out of 100; the rest of the number is everything around it.
80 bars, about 3:46 at the written tempo. The course breaks it into 30 exercises over 11 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 31 times: bars 7, 8, 9, 11, 12, 13 and 25 more.