77 bars of 4/4 at a walking 80 BPM, 3:50 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 19-21, 38-44 and 59-61, and 1 more place -- 32.4% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
3 fills to learn, played 10 times: bars 12, 16, 18, 22, 45, 62 and 4 more.
1 more fill is written out on the fills page.
77 bars across 9 sections: 55 keep time, 10 are fills and 3 are silent. The longest unbroken stretch of time is bars 63-73.
80 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
61 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 42 out of 100; the rest of the number is everything around it.
77 bars, about 3:50 at the written tempo. The course breaks it into 23 exercises over 7 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 10 times: bars 12, 16, 18, 22, 45, 62 and 4 more.