99 bars of 4/4 at 131 BPM, about 3:00 of playing, on crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 22-24, 26-28 and 58-60, and 3 more places -- 20.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10 fills to learn, played 17 times: bars 1, 11, 21, 25, 29, 37 and 11 more.
6 more fills are written out on the fills page.
99 bars across 12 sections: 56 keep time, 17 are fills and 15 are stops. The longest unbroken stretch of time is bars 39-46.
131 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
63 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 38 out of 100; the rest of the number is everything around it.
99 bars, about 3:00 at the written tempo. The course breaks it into 42 exercises over 13 sittings, about 26 minutes each.
crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 17 times: bars 1, 11, 21, 25, 29, 37 and 11 more.