54 bars of 4/4 at 131 BPM, about 1:38 of playing, on crash, ride, hi-hat, snare and kick.
The beat the song is built on is one bar, played through bars 11-14, 26-29 and 49-52 -- 22.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
4 fills to learn, played 5 times: bars 21, 36, 44, 48 and 53.
54 bars across 9 sections: 31 keep time, 6 are fills and 8 are stops. The longest unbroken stretch of time is bars 38-43.
131 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 52 out of 100; the rest of the number is everything around it.
54 bars, about 1:38 at the written tempo. The course breaks it into 22 exercises over 7 sittings, about 26 minutes each.
crash, ride, hi-hat, snare and kick. Nothing in the part asks for anything else.
4 fills to learn, played 5 times: bars 21, 36, 44, 48 and 53.