187 bars of 3/4 -- not four -- at 140 BPM, 4:19 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
67 out of 100: demanding, mostly on the independence between the hands and the feet.
silence through bars 1-4, hi-hat through bars 5-44, ride through bars 45-52, hi-hat through bars 53-60, ride through bars 61-68 and hi-hat through bars 69-76, and 10 more changes after that.
The beat the song is built on is one bar, played through bars 37-39, 41-43 and 69-75, and 2 more places -- 14.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
37
1e+a2e+a3e+a
CC |x-----------|
HH |---o--o--o--|
SD |---x-----x--|
BD |xxxxxxxxxxxx|25 fills to learn, played 45 times: bars 12, 20, 40, 44, 48, 52 and 39 more.
It cuts the song into 68 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
140 BPM, in 3/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
67 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 65 out of 100; the rest of the number is everything around it.
187 bars, about 4:19 at the written tempo. The course breaks it into 68 exercises over 17 sittings, about 29 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
25 fills to learn, played 45 times: bars 12, 20, 40, 44, 48, 52 and 39 more.