187 bars of 3/4 -- not four -- at 140 BPM, 4:19 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 37-39, 41-43 and 69-75, and 2 more places -- 14.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
25 fills to learn, played 45 times: bars 12, 20, 40, 44, 48, 52 and 39 more.
21 more fills are written out on the fills page.
187 bars across 17 sections: 112 keep time, 45 are fills, 12 are stops and 4 are silent. The longest unbroken stretch of time is bars 22-36.
140 BPM, in 3/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
67 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 65 out of 100; the rest of the number is everything around it.
187 bars, about 4:19 at the written tempo. The course breaks it into 68 exercises over 17 sittings, about 29 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
25 fills to learn, played 45 times: bars 12, 20, 40, 44, 48, 52 and 39 more.