118 bars of 4/4 at 137 BPM, about 3:27 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 11-17, 41-47 and 49-55 -- 18.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
6 fills to learn, played 8 times: bars 10, 18, 38, 48, 76, 98 and 2 more.
2 more fills are written out on the fills page.
118 bars across 14 sections: 75 keep time, 8 are fills, 15 are stops and 6 are silent. The longest unbroken stretch of time is bars 101-109.
137 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
66 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 80 out of 100; the rest of the number is everything around it.
118 bars, about 3:27 at the written tempo. The course breaks it into 37 exercises over 9 sittings, about 29 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 8 times: bars 10, 18, 38, 48, 76, 98 and 2 more.