114 bars of 4/4 at 140 BPM, about 3:15 of playing, on crash, hi-hat, snare, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 26-33, 58-73 and 98-103 -- 26.5% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
4 fills to learn, played 8 times: bars 17, 25, 49, 57, 97, 104 and 2 more.
114 bars across 11 sections: 66 keep time, 8 are fills, 27 are stops and 1 is silent. The longest unbroken stretch of time is bars 33-48.
140 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
48 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 16 out of 100; the rest of the number is everything around it.
114 bars, about 3:15 at the written tempo. The course breaks it into 30 exercises over 8 sittings, about 24 minutes each.
crash, hi-hat, snare, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 8 times: bars 17, 25, 49, 57, 97, 104 and 2 more.