111 bars of 4/4 at 132 BPM, about 3:20 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 38-44, 78-84 and 95-109 -- 26.9% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
4 fills to learn, played 11 times: bars 4, 5, 21, 29, 37, 45 and 5 more.
111 bars across 12 sections: 86 keep time, 11 are fills, 1 is a stop and 3 are silent. The longest unbroken stretch of time is bars 96-110.
132 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
58 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 31 out of 100; the rest of the number is everything around it.
111 bars, about 3:20 at the written tempo. The course breaks it into 21 exercises over 6 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 11 times: bars 4, 5, 21, 29, 37, 45 and 5 more.