151 bars of 4/4 at 135 BPM, about 4:24 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 55-60, 85-90 and 145-148 -- 13.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
6 fills to learn, played 19 times: bars 1, 36, 37, 38, 39, 40 and 13 more.
3 more fills are written out on the fills page.
151 bars across 18 sections: 75 keep time, 20 are fills, 3 are stops and 35 are silent. The longest unbroken stretch of time is bars 108-121.
135 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
64 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 64 out of 100; the rest of the number is everything around it.
151 bars, about 4:24 at the written tempo. The course breaks it into 41 exercises over 15 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 19 times: bars 1, 36, 37, 38, 39, 40 and 13 more.