105 bars of 4/4 at 143 BPM, about 2:56 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 14-16, 18 and 26, and 25 more places -- 34.3% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
4 fills to learn, played 5 times: bars 4, 24, 38, 64 and 100.
105 bars across 10 sections: 84 keep time, 5 are fills, 2 are stops and 6 are silent. The longest unbroken stretch of time is bars 79-94.
143 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
52 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 47 out of 100; the rest of the number is everything around it.
105 bars, about 2:56 at the written tempo. The course breaks it into 23 exercises over 5 sittings, about 30 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 5 times: bars 4, 24, 38, 64 and 100.