68 bars of 4/4 at 130 BPM, about 2:06 of playing, on hi-hat, snare, mid tom and kick.
The beat the song is built on is one bar, played through bars 21, 23 and 41, and 4 more places -- 13.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
1 fill to learn, played 1 time: bar 68.
68 bars across 10 sections: 52 keep time, 1 is a fill and 1 is silent. The longest unbroken stretch of time is bars 43-63.
130 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
55 out of 100, a step up from a first song, and the work is in how many notes a second it asks for. The beat itself is 24 out of 100; the rest of the number is everything around it.
68 bars, about 2:06 at the written tempo. The course breaks it into 32 exercises over 12 sittings, about 23 minutes each.
hi-hat, snare, mid tom and kick. Nothing in the part asks for anything else.
1 fill to learn, played 1 time: bar 68.