80 bars of 4/4 at 112 BPM, about 2:51 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 8, 10 and 12, and 6 more places -- 20.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
5 fills to learn, played 5 times: bars 56, 60, 65, 68 and 79.
1 more fill is written out on the fills page.
80 bars across 9 sections: 57 keep time, 5 are fills, 5 are stops and 3 are silent. The longest unbroken stretch of time is bars 13-21.
112 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
64 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 51 out of 100; the rest of the number is everything around it.
80 bars, about 2:51 at the written tempo. The course breaks it into 32 exercises over 9 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 5 times: bars 56, 60, 65, 68 and 79.