313 bars of 4/4 at 118 BPM, about 10:34 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 190-196, 198-199 and 206-207, and 4 more places -- 10.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
24 fills to learn, played 64 times: bars 12, 32, 33, 34, 35, 36 and 58 more.
21 more fills are written out on the fills page.
313 bars across 24 sections: 183 keep time, 64 are fills, 18 are stops and 19 are silent. The longest unbroken stretch of time is bars 141-166.
118 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
51 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 29 out of 100; the rest of the number is everything around it.
313 bars, about 10:34 at the written tempo. The course breaks it into 92 exercises over 26 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
24 fills to learn, played 64 times: bars 12, 32, 33, 34, 35, 36 and 58 more.