256 bars of 4/4 at 144 BPM, about 6:51 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 57-62, 69 and 73, and 8 more places -- 23.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 20 times: bars 50, 117, 118, 119, 171, 172 and 14 more.
4 more fills are written out on the fills page.
256 bars across 32 sections: 178 keep time, 21 are fills, 2 are stops and 22 are silent. The longest unbroken stretch of time is bars 82-98.
144 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
58 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 33 out of 100; the rest of the number is everything around it.
256 bars, about 6:51 at the written tempo. The course breaks it into 81 exercises over 25 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 20 times: bars 50, 117, 118, 119, 171, 172 and 14 more.