168 bars of 4/4 at 148 BPM, about 4:32 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 2, 4 and 6, and 42 more places -- 28% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
13 fills to learn, played 49 times: bars 1, 5, 9, 13, 17, 37 and 43 more.
9 more fills are written out on the fills page.
168 bars across 18 sections: 97 keep time, 49 are fills and 1 is a stop. The longest unbroken stretch of time is bars 21-33.
148 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 38 out of 100; the rest of the number is everything around it.
168 bars, about 4:32 at the written tempo. The course breaks it into 49 exercises over 14 sittings, about 26 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
13 fills to learn, played 49 times: bars 1, 5, 9, 13, 17, 37 and 43 more.