107 bars of 4/4 at 145 BPM, about 2:57 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 1-7, 25-31 and 33, and 7 more places -- 29.9% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
6 fills to learn, played 13 times: bars 8, 40, 62, 64, 66, 72 and 7 more.
2 more fills are written out on the fills page.
107 bars across 9 sections: 71 keep time, 13 are fills and 15 are stops. The longest unbroken stretch of time is bars 10-24.
145 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
52 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 38 out of 100; the rest of the number is everything around it.
107 bars, about 2:57 at the written tempo. The course breaks it into 36 exercises over 10 sittings, about 27 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 13 times: bars 8, 40, 62, 64, 66, 72 and 7 more.