169 bars of 4/4 at 135 BPM, about 5:00 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 26-45, 56-58 and 60-62, and 3 more places -- 28.4% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
8 fills to learn, played 14 times: bars 17, 25, 46, 47, 55, 84 and 8 more.
4 more fills are written out on the fills page.
169 bars across 8 sections: 143 keep time, 14 are fills and 3 are stops. The longest unbroken stretch of time is bars 56-83.
135 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
49 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 36 out of 100; the rest of the number is everything around it.
169 bars, about 5:00 at the written tempo. The course breaks it into 37 exercises over 11 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 14 times: bars 17, 25, 46, 47, 55, 84 and 8 more.