34 bars of 4/4 at 145 BPM, about 0:56 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 5-7 and 21-23 -- 17.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
5 fills to learn, played 13 times: bars 1, 2, 4, 11, 12, 13 and 7 more.
1 more fill is written out on the fills page.
35 bars across 6 sections: 14 keep time, 13 are fills, 1 is a stop and 1 is silent. The longest unbroken stretch of time is bars 31-34.
145 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
100 out of 100. Hard, and what makes it hard is how many notes a second it asks for. The beat itself is 76 out of 100; the rest of the number is everything around it.
34 bars, about 0:56 at the written tempo. The course breaks it into 22 exercises over 8 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 13 times: bars 1, 2, 4, 11, 12, 13 and 7 more.