136 bars of 4/4 at 145 BPM, about 3:45 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 4, 6 and 8, and 8 more places -- 22.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
13 fills to learn, played 19 times: bars 32, 36, 58, 60, 70, 78 and 13 more.
9 more fills are written out on the fills page.
136 bars across 13 sections: 90 keep time, 19 are fills, 7 are stops and 5 are silent. The longest unbroken stretch of time is bars 45-57.
145 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
61 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 43 out of 100; the rest of the number is everything around it.
136 bars, about 3:45 at the written tempo. The course breaks it into 46 exercises over 14 sittings, about 26 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
13 fills to learn, played 19 times: bars 32, 36, 58, 60, 70, 78 and 13 more.