403 bars of 4/4 at 145 BPM, about 11:57 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 143-145, 147-149 and 151-153, and 10 more places -- 11% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
30 fills to learn, played 74 times: bars 3, 7, 15, 24, 25, 38 and 68 more.
26 more fills are written out on the fills page.
403 bars across 29 sections: 212 keep time, 74 are fills, 38 are stops and 50 are silent. The longest unbroken stretch of time is bars 90-103.
145 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
58 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 35 out of 100; the rest of the number is everything around it.
403 bars, about 11:57 at the written tempo. The course breaks it into 110 exercises over 32 sittings, about 27 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
30 fills to learn, played 74 times: bars 3, 7, 15, 24, 25, 38 and 68 more.