145 bars of 4/4 at 138 BPM, about 4:11 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 10-12, 18-20 and 34-40, and 9 more places -- 31.7% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
10 fills to learn, played 22 times: bars 1, 8, 9, 13, 21, 25 and 16 more.
6 more fills are written out on the fills page.
145 bars across 16 sections: 89 keep time, 22 are fills, 13 are stops and 6 are silent. The longest unbroken stretch of time is bars 51-73.
138 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
56 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 34 out of 100; the rest of the number is everything around it.
145 bars, about 4:11 at the written tempo. The course breaks it into 32 exercises over 9 sittings, about 24 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 22 times: bars 1, 8, 9, 13, 21, 25 and 16 more.