150 bars of 4/4 at 145 BPM, about 4:09 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 28-29, 32-33 and 36-37, and 7 more places -- 10.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
2 fills to learn, played 8 times: bars 27, 39, 61, 69, 76, 83 and 2 more.
153 bars across 14 sections: 103 keep time, 8 are fills, 20 are stops and 4 are silent. The longest unbroken stretch of time is bars 119-131.
145 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
73 out of 100: demanding, mostly on how many notes a second it asks for. The beat itself is 71 out of 100; the rest of the number is everything around it.
150 bars, about 4:09 at the written tempo. The course breaks it into 51 exercises over 18 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
2 fills to learn, played 8 times: bars 27, 39, 61, 69, 76, 83 and 2 more.