79 bars of 4/4 at 148 BPM, about 2:06 of playing, on crash, hi-hat, snare and kick.
68 out of 100: demanding, mostly on the independence between the hands and the feet.
hi-hat through bars 1-74 and snare through bars 75-79.
The beat the song is built on is one bar, played through bars 4-19, 47 and 55 -- 22.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
6
1e+a2e+a3e+a4e+a
HH |o---o---o---o---|
SD |----x--x-x--x---|
BD |x-----x---x-----|9 fills to learn, played 18 times: bars 3, 27, 30, 31, 33, 35 and 12 more.
It cuts the song into 37 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
148 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
68 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 45 out of 100; the rest of the number is everything around it.
79 bars, about 2:06 at the written tempo. The course breaks it into 37 exercises over 13 sittings, about 24 minutes each.
crash, hi-hat, snare and kick. Nothing in the part asks for anything else.
9 fills to learn, played 18 times: bars 3, 27, 30, 31, 33, 35 and 12 more.