161 bars of 4/4 at 132 BPM, about 4:59 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 13-15, 17-19 and 21-23, and 4 more places -- 13.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
17 fills to learn, played 54 times: bars 1, 2, 6, 8, 12, 16 and 48 more.
13 more fills are written out on the fills page.
163 bars across 12 sections: 75 keep time, 54 are fills, 17 are stops and 5 are silent. The longest unbroken stretch of time is bars 35-45.
132 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
78 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 83 out of 100; the rest of the number is everything around it.
161 bars, about 4:59 at the written tempo. The course breaks it into 51 exercises over 16 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
17 fills to learn, played 54 times: bars 1, 2, 6, 8, 12, 16 and 48 more.