The beat the song is built on is one bar, played through bars 41-56, 109-110 and 115, and 4 more places -- 20.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
It is played on ride, snare and kick, counted in sixteenth notes. On its own it scores 20 out of 100 -- straightforward -- and the thing that decides that is the independence between the hands and the feet.
The whole song is 65 out of 100, so the beat is not the hard part: what costs you is everything around it, the joins and the fills.
A part this hard is not learned by playing it slowly and hoping. The room opens it on its simplest reduction -- the timekeeper alone, at 143 BPM -- and adds the notes back over 3 rungs, each with a tempo to reach and a gate to pass before the next.
Tempo goes 143, 166 and 190 BPM, and the gate at each one is 8 loops in a row with no wrong note and no wobble in the time.
PRACTISE THIS BEAT →A one-bar groove on ride, snare and kick, in 4/4 at 190 BPM, counted in sixteenth notes. It is written out above, and it covers 20.4% of the bars the kit plays.
Bars 41-56, 109-110, 115 and 118, and 3 more places. The time is kept on the ride to start with, and it changes 16 times over the song.
20 out of 100 on its own -- straightforward. The song as a whole is 65 out of 100: demanding, mostly on the independence between the hands and the feet.