143 bars of 4/4 at 122 BPM, about 4:40 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 9, 11 and 13, and 5 more places -- 10.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
14 fills to learn, played 37 times: bars 10, 12, 14, 16, 17, 18 and 31 more.
11 more fills are written out on the fills page.
143 bars across 13 sections: 66 keep time, 37 are fills, 3 are stops and 25 are silent. The longest unbroken stretch of time is bars 119-134.
122 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
73 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 59 out of 100; the rest of the number is everything around it.
143 bars, about 4:40 at the written tempo. The course breaks it into 48 exercises over 18 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 37 times: bars 10, 12, 14, 16, 17, 18 and 31 more.