49 bars of 4/4 at 120 BPM, about 1:55 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 3-6, 9 and 14, and 1 more place -- 21.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
3 fills to learn, played 10 times: bars 10, 17, 18, 19, 20, 21 and 4 more.
1 more fill is written out on the fills page.
49 bars across 5 sections: 26 keep time, 10 are fills, 2 are stops and 7 are silent. The longest unbroken stretch of time is bars 1-9.
120 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
100 out of 100. Hard, and what makes it hard is how many notes a second it asks for. The beat itself is 100 out of 100; the rest of the number is everything around it.
49 bars, about 1:55 at the written tempo. The course breaks it into 20 exercises over 8 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 10 times: bars 10, 17, 18, 19, 20, 21 and 4 more.