312 bars of 4/4 at 139 BPM, about 8:14 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 163, 179-185 and 187-189, and 6 more places -- 8.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
19 fills to learn, played 74 times: bars 49, 50, 51, 57, 58, 59 and 68 more.
16 more fills are written out on the fills page.
312 bars across 20 sections: 131 keep time, 74 are fills, 68 are stops and 17 are silent. The longest unbroken stretch of time is bars 17-36.
139 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
59 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 40 out of 100; the rest of the number is everything around it.
312 bars, about 8:14 at the written tempo. The course breaks it into 78 exercises over 21 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
19 fills to learn, played 74 times: bars 49, 50, 51, 57, 58, 59 and 68 more.