81 bars of 4/4 at 140 BPM, about 2:19 of playing, on crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 26-27, 30-31 and 35-36, and 5 more places -- 21.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
8 fills to learn, played 11 times: bars 16, 32, 39, 40, 42, 44 and 5 more.
4 more fills are written out on the fills page.
81 bars across 12 sections: 48 keep time, 11 are fills, 4 are stops and 11 are silent. The longest unbroken stretch of time is bars 50-56.
140 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
45 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 29 out of 100; the rest of the number is everything around it.
81 bars, about 2:19 at the written tempo. The course breaks it into 29 exercises over 7 sittings, about 28 minutes each.
crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 11 times: bars 16, 32, 39, 40, 42, 44 and 5 more.