88 bars of 4/4 at 130 BPM, about 2:42 of playing, on crash, hi-hat, snare, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 46-55 and 61-65 -- 20% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
88 bars across 15 sections: 71 keep time and 13 are silent. The longest unbroken stretch of time is bars 17-28.
130 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
42 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 35 out of 100; the rest of the number is everything around it.
88 bars, about 2:42 at the written tempo. The course breaks it into 20 exercises over 6 sittings, about 26 minutes each.
crash, hi-hat, snare, kick and hi-hat foot. Nothing in the part asks for anything else.