111 bars of 4/4 at 132 BPM, about 3:22 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 3-10, 39 and 56, and 6 more places -- 26.1% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
4 fills to learn, played 8 times: bars 40, 52, 61, 74, 75, 79 and 2 more.
111 bars across 8 sections: 87 keep time, 8 are fills and 5 are stops. The longest unbroken stretch of time is bars 12-39.
132 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 36 out of 100; the rest of the number is everything around it.
111 bars, about 3:22 at the written tempo. The course breaks it into 33 exercises over 9 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 8 times: bars 40, 52, 61, 74, 75, 79 and 2 more.