70 bars of 4/4 at a walking 80 BPM, 3:30 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 5-6, 9-10 and 19, and 5 more places -- 23.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
4 fills to learn, played 11 times: bars 17, 18, 34, 38, 40, 41 and 5 more.
70 bars across 11 sections: 41 keep time, 11 are fills, 1 is a stop and 5 are silent. The longest unbroken stretch of time is bars 6-12.
80 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
46 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 33 out of 100; the rest of the number is everything around it.
70 bars, about 3:30 at the written tempo. The course breaks it into 27 exercises over 7 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 11 times: bars 17, 18, 34, 38, 40, 41 and 5 more.