89 bars of 4/4 at 138 BPM, about 2:35 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 9-15, 17-23 and 41-43, and 3 more places -- 30.1% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
5 fills to learn, played 12 times: bars 40, 48, 56, 60, 68, 72 and 6 more.
1 more fill is written out on the fills page.
89 bars across 7 sections: 61 keep time, 12 are fills, 2 are stops and 6 are silent. The longest unbroken stretch of time is bars 9-23.
138 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
43 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 34 out of 100; the rest of the number is everything around it.
89 bars, about 2:35 at the written tempo. The course breaks it into 24 exercises over 6 sittings, about 27 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 12 times: bars 40, 48, 56, 60, 68, 72 and 6 more.