141 bars of 4/4 at 119 BPM, about 6:16 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 2-11, 13 and 16-23, and 2 more places -- 20% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 17 times: bars 48, 55, 59, 66, 67, 85 and 11 more.
3 more fills are written out on the fills page.
147 bars across 9 sections: 71 keep time, 17 are fills, 6 are stops and 42 are silent. The longest unbroken stretch of time is bars 1-28.
119 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
62 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 48 out of 100; the rest of the number is everything around it.
141 bars, about 6:16 at the written tempo. The course breaks it into 33 exercises over 10 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 17 times: bars 48, 55, 59, 66, 67, 85 and 11 more.