142 bars of 4/4 at 144 BPM, about 3:54 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 35-38, 43-46 and 76-79, and 3 more places -- 16.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
15 fills to learn, played 40 times: bars 17, 25, 40, 41, 42, 47 and 34 more.
11 more fills are written out on the fills page.
142 bars across 19 sections: 60 keep time, 40 are fills, 4 are stops and 17 are silent. The longest unbroken stretch of time is bars 53-61.
144 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
58 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 55 out of 100; the rest of the number is everything around it.
142 bars, about 3:54 at the written tempo. The course breaks it into 49 exercises over 14 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
15 fills to learn, played 40 times: bars 17, 25, 40, 41, 42, 47 and 34 more.