113 bars of 4/4 at 115 BPM, about 3:54 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 22-23, 28-29 and 50-51, and 4 more places -- 13% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
4 fills to learn, played 4 times: bars 36, 60, 80 and 92.
113 bars across 15 sections: 83 keep time, 4 are fills, 1 is a stop and 5 are silent. The longest unbroken stretch of time is bars 95-109.
115 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
75 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 60 out of 100; the rest of the number is everything around it.
113 bars, about 3:54 at the written tempo. The course breaks it into 39 exercises over 15 sittings, about 22 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 4 times: bars 36, 60, 80 and 92.