174 bars of 4/4 at a walking 103 BPM, 6:48 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
77 out of 100: demanding, mostly on the independence between the hands and the feet.
silence through bars 1-33, kick and crashes through bars 34-35, snare through bars 36-37, hi-hat through bars 38-53, ride through bars 54-61 and hi-hat through bars 62-77, and 8 more changes after that.
The beat the song is built on is a 2-bar phrase, played through bars 54-56, 58 and 60, and 10 more places -- 20.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
54 55
1e+a2e+a3e+a4e+a 1e+a2e+a3e+a4e+a
CC |x--x--x---------|----------------|
RD |--x-----x-x-xxx-|xx-x--x-xxx-xxx-|
SD |--x---x---x---x-|--x---x---x---x-|
BD |x--x-x--xx--xx--|x--x-x--xx--xx--|21 fills to learn, played 45 times: bars 34, 35, 36, 37, 45, 49 and 39 more.
It cuts the song into 58 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
103 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
77 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 65 out of 100; the rest of the number is everything around it.
174 bars, about 6:48 at the written tempo. The course breaks it into 58 exercises over 18 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
21 fills to learn, played 45 times: bars 34, 35, 36, 37, 45, 49 and 39 more.